Благовещение {6327}
Annunciation
автор:
Масолино
Masolino da Panicale
место:
Вашингтон: гал. Нац.
Washington: NGA
композиция:
15th-century viewers of this Annunciation would have recognized not only its general subject, but also the particular moment Masolino chose to paint.
Street preachers gave vivid accounts of Gabriel's message to Maria about Christ's birth, and audiences would also have seen the Annunciation reenacted on its feast day.
In Florence, Brunelleschi designed an apparatus to lower an actor portraying Gabriel from the cathedral dome, as young children dressed as angels hung suspended in rigging.
Events in the drama took place in sequence.
Maria was first startled at the angel's sudden appearance; she reflected on his message and queried Gabriel about her fitness; finally, kneeling, she submitted to God's will.
Here Maria's downcast eyes and musing gesture - hand resting tentatively on Her breast - suggest the second, and most often depicted, of these stages: reflection.
As did actors in the religious plays, artists used gesture and posture to communicate states of mind.
состав:
Гавриил
Archangel Gabriel Мария
Maria
оформление:
~1430.
Tempera on panel.
Virgin museum
Peter museum
Mycrossof
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