Распятие с предстоящими {1860}
Crucifixion with attendants
This canvas was painted as an altarpiece, probably for a Catholic "hidden church".
Until recently it was mistakenly assumed that ter Brugghen was Catholic, not Protestant, in part because he responded so sympathetically to commissions such as this one.
It appears likely that the museum's painting was made to replace an earlier altarpiece that had been damaged or destroyed.

Фонды различный жертвователей, 1956.

Funds from various donors.
Брюгген, Х. тер
Hendrick ter Brugghen
Нью-Йорк: Метрополитен (1956 )
New York: MMA
Распятие с Богородицей и св. Иоанном
The strikingly archaic qualities of the picture, such as the angular figure of Christ, the shallow space, and the starry sky, have reminded many viewers of late-Medieval woodcuts, prints by Durer, and Isenheim altarpiece {1492}.
~1625. Дания.
Х., м.
Oil on canvas.
№ 56.228 (179/1673).
предмет с изображением:
Virgin museum
Peter museum
Valenik Рейтинг@Mail.ru