Богородица и Младенец с юным Иоанном Крестителем и щеглёнком, или Мадонна дель Карделлино {1821}
Madonna of the Goldfinch, or in the original Italian "Madonna del Cardellino," in French "Vierge au Chardonneret"
история:
Предназначалась Лоренцо Нази.
Заказчик, принадлежавший к богатой купеческой семье, жил на улице де Барди напротив дворца Каниджани.
На дочери Маттео Каниджани Сандре как раз и женился Нази в 1505 или самое позднее 23 февраля 1506.
This painting was realized by Raphael in about 1506 for his friend Lorenzo Nasi as a wedding present for his bride.
Явным источником вдохновения для Рафаэля была работа Микеланджело {4739}.
17 ноября 1548 икона сильно пострадала, когда рухнул дом Нази.
In 1548 Monte San Giorgio landslide destroyed Nasi's house and Raphael's painting was broken into many pieces.
автор:
Рафаэль
Rapfael
место:
Флоренция: гал. Уффици
Florence: Uffizi Gallery
композиция:
This picture emits a feeling of harmony and peace suited to the celebration of a happy event.
The goldfinch presented by St John Baptist to Jesus gives the name to the picture.
Virgin is depicted as a loving mother who has just stopped reading to concentrate on the game of the young St. John who is holding a goldfinch lovingly caressed by Jesus.
Virgin is sitting in a meadow planted with elegantly brushed trees, and, in the background, rolling hills and the skyline of Florence lend depth to the painting.
She holds in left hand an open book. Between Her knees stands Jesus fondling with His right hand the goldfinch offered by St John.
The Virgin's right hand rests on his shoulder in grateful acknowledgment of his eagerness to please Her Son.
The little bird may be viewed as symbol of Christ's passion and death to come, since the red streaks among the goldfinch's feathers suggest blood. Virgin's posture and attitude have a similarly symbolic value.
Contemplating book, nature, and Jesus' gesture, Virgin attracts the attention of the onlooker to the manifold origin of God's wisdom and revelation: His creation, the revelation of His love in words (book) and the Word (Jesus), and the apex of His loving deeds in the event of Redemption (goldfinch).
The influence of Leonardo da Vinci can be seen in the pyramidal positioning of the figures, as well as in the hazy landscape, but the faces are more gentle and graceful, and the trees in the background more slender and delicate than those of the Venetian Giorgione (see the "Judgement of Solomon" and "The trial of Moses").
оформление:
1506.
Oil on panel.
Сын Нази Джованбаттиста реставрировал картину: недавнее исследование под рентгеновскими лучами (1972, 1983) в самом деле выявило наличие семнадцати разрозненных фрагментов, соединенных длинными поперечными гвоздями и дополненных тремя небольшими и одной большой вставкой внизу слева с почти полностью обновлённой живописью.
Battista, son of Lorenzo, put it together with much skill.
В таком состоянии картина находится уже несколько веков, и реставраторы до сих пор не решаются к ней подступиться.
предмет с изображением:
посвящённый предмет:
Virgin museum
Peter museum
Mycrossof
Valenik Рейтинг@Mail.ru