Иконостас Антигуа {1081}
Antigua Altarpiece
- история:
- Juni tried to produce a classical work in an architectural framework - the firt he ever used.
Taken separately, the Corinthian columns, entablatures, and niches are based on the classical Italian arrangement, but the general organization, the relationship between the different parts, the proportions of the niches, and above all the importance given to sculpture are closer to Mannerism.
The iconography of the Valladolid altartpiece is somewhat confused; several statues of male and female saints are mixed with scenes of the childhood and the life of the Virgin.
The same confusion is found in the alternation of large statues and relief panels.
Juni was above all a statue maker, as can be seen from the relief representing the birth of the Virgin.
His main preoccupation is the rendering of the third dimension.
The carving is self-assured, the volumes well-defined in the expressive composition.
The influence of Durer's woodcuts has been suggested as the explanation for such clarity of outline.
- автор:
- Жуни Ж. де
- Juan de Juni
- место:
- Валладолид: собор (1922 )
- Valladolid: cathedral
- композиция:
- Рождество Марии
- Birth of Maria
- оформление:
- Relief.
- предмет с изображением:
- файл
- antigua1
- www.kfki.hu/~arthp/art/j/juni/antigua1.jpg
- 638*890
- True Color
- 162 Kb
Распятие с предстоящими
- Crucifixion with attendants
- композиция:
- As in most Spanish altarpieces, a Christ on the Cross towers over the ensemble.
Juni placed this Crucifix outside the architectural framework, above the central part of the attic, in impressive isolation.
The anatomical details are masterfully rendered, but the body is distorted by Juni's dramatic genius: from the head to toe, it is twisted round in a spiraling movement which expresses its last convulsion.
. . .
- оформление:
- 1545...62.
- Дерево. Резьба.
- Carving. Polychrome wood.
- предмет с изображением:
- файл
- antigua
- http://www.kfki.hu/~arthp/art/j/juni/antigua.jpg
- 635*900
- True Color
- 151 Kb
