Боттичелли С. {5521}

Джотто

вид иконы:
чин {5525}
range

Карраччи Л. {5517}

Коэллин П. {5516}

Ланино Б. {5518}

Мастер Оверньского триптиха

вид иконы:
триптих {5513}
triptych

вид иконы:
диптих {5523}
diptych

Сегна ди Буонавентура {5524}

Франча {5520}

Чима да Конельяно {5519}

вид иконы:
триптих {5513}
triptych

автор:
Рени Г. {6203}
Guido Reni

Сегна ди Буонавентура {5524}

Segna di Buonaventura

Чима да Конельяно {5519}

Cima da Conegliano
название:
Богородица и Младенец на пейзаже {5519}
Virgin and Child in a landscape
техника:
резьба {5515}
casting
вариант:
{5526}

автор:
Ланино Б. {5518}
Bernardino Lanino
вариант:
{5522}

Богородица и Младенец с молящимися

техника:
резьба {5516}
casting

Деисус

вид иконы:
чин {5525}
range

Поклонение пастухов {5514}

Покров

техника:
резьба {5516}
casting

вид иконы:
диптих {5523}
diptych

Триумф целомудрия {5527}

триптих {5513}

чин {5525}

автор:
Коэллин П. {5516}
Peter Koellin
название:
Богородица и Младенец {5515}
Virgin and Child

Богородица и Младенец с молящимися {5516}

Virgin and Child with devotees

Покров {5516}

Intercession

история:
Gift of the Samuel H. Kress Foundation.
автор:
Massimo Stanzione (Italian, 1585-1656)
оформление:
~ 1630...35.
Oil on canvas.
1896х2756.
№ 60.17.52.
предмет с изображением:
файл
082_lrg
http://www.ncartmuseum.org/collections/highlights/european/italian/1600-1815/082_lrg.shtml

история:
Purchased with funds from the State of North Carolina.
автор:
Esteban Marquez de Velasco (Spanish, died 1696)
оформление:
~1690.
Oil on canvas.
1524х2438.
№ 52.9.180.
предмет с изображением:
файл
512014
http://www.ncartmuseum.org/collections/highlights/european/italian/1600-1815/082_lrg.shtml

история:
Although he was born in Holland, Stomer spent most of his career in Italy, where he was profoundly influenced by the artist Caravaggio and his followers, particularly by the bold contrasts of light and dark, or chiaroscuro, these painters employed. In this painting, Stomer uses light as a visual metaphor for revelation and spiritual illumination and as a visible manifestation of Christ's divinity. The light emanating from the Child is the only source of illumination in the work; Stomer has literally rendered the evangelist John's description of Christ as "the true light which enlightens everyone" (John 1:9). Aside from its symbolic function, the light also emphasizes the expressions of the Holy Family and the shepherds, and it creates a mood of intimacy, mystery, and wonder appropriate to the subject.
Purchased with funds from the State of North Carolina.
автор:
Matthias Stomer (Dutch, about 1600-after 1650)
оформление:
~ 1635...40.
Oil on canvas.
1615х1135.
№ 52.9.59.
предмет с изображением:
файл
stome_lrg
http://www.ncartmuseum.org/collections/highlights/european/dutch/before1650/stomer_lrg.shtml