In a city filled with artists, the busiest workshop in the later 1400s was that of Domenico Ghirlandaio. His popularity rested on the conventional piety of his images, his direct and forthright style, and his high standards of craftsmanship. These qualities probably appealed to the average Florentine, who was less attracted by the humanist erudition and advanced tastes that enthralled the city's elite. Works like {2954} contrast with the sensuality and luxury denounced by Savonarola.
Гранацци Ф.
церковь Санта Мария Новелла {2603}
Париж: Лувр {2955}
Богородица и Младенец на троне с четырьмя ангелами, архангелами Михаилом и Рафаилом и свв. Густо и Зенобиусом {2956}
Встреча Марии с Елизаветой {2606}
Обручение Марии {4111}
Поклонение волхвов
Посещение Елизаветы Марией {2002}
Рождение Иоанна Крестителя {2605}
Рождество Марии {2604}
Флоренция
церковь Св. Троицы
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